Archive for the ‘Archives and Resources’ Category

Rethinking Tradition

2017/11/29

How can communities be strengthened and tradition be interpreted in a way that contributes to a sustainable perspective for the future? What is the connection between traditional communities in Latin America, Africa and Asia and small villages in Europe? What can the global North learn from the global South? How can territories be defended? And how can the livelihood of rural areas be sustained?…”

In June 2017, I contributed with a workshop to an international colloquium on traditional peoples and communities, entitled “Traditionally Sustainablewhich set out to pursue these questions. My workshop was entitled “The river belongs to the Tonga people” and was based on my experiences among the Tonga people in Binga, Zimbabwe (during last year’s radio project with the women of Zubo Trust in particular).

Read the workshop log of “The river belongs to the Tonga people”

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During my time in Binga, I learned about the history and culture of the Tonga people from the women I worked with. The title of my workshop is a quote from the Tonga Anthem which I recorded in 2012, my first stay in Binga. The text of the Anthem goes: “The river belongs to the Tonga people. The river has fish and crocodile. Our Ancestors are crying…”. The award-winning aboriginal artist Crystal DJ Kwe Favel created a music album of dance tracks based on the Binga recordings. DJ Kwe belongs to the indigenous communities of BC Canada. “Tonga Anthem Remix” is the first track of the bespoke online Album “Radio Remixes Voices of Binga”. DJ Kwe’s music bridges indigenous teachings across continents in dance rhythms.

It was the first time that the colloquium took place in Germany; since 2009, four previous sessions had been taking place in Brazil. Representatives of communities, academia and development organisations from four continents debated in three languages over four days on opportunities of sustainability for Traditional communities and, the input of diverse knowledge for a sustainable development such communities may hold on offer for the global community at large. A joint declaration was issues, published as the “Hofgeismar Agenda“.

Contributions from Nigeria and Cameroon

Following the conference “Traditionally Sustainable” in Hofgeismar, a delegation of contributors from Brazil are guests of FUgE (Forum for Justice, Environment and Development) in Hamm. They meet the “Heimatverein Heessen” and give a talk at FUgE Fairtrade Shop in the evening. With members of the “Heimatverein”, they visit the chapel of St. Anna. Analia A. da Silva performs a traditional prayer. Dr Aderval Costa adds a prayer to Virgin Mary in Latin.

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an excerpt from the Hofgeismar Agenda

Traditional peoples and communities are the most important guarantors of the world ́s diversity. They represent more than 90% of diversity in different dimensions as

  •   their social relationships
  •   their relationships with nature
  •   their languages
  •   their ethnicities
  •   their religious and spiritual systems
  •   their knowledge about biodiversity
  •   their capacities on agricultural diversity
  •   and further aspects of diversity.
  • Traditional peoples and communities are the most important heritage of humankind.

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“Stories of Gardens…” on Datscha Radio

2017/09/13

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Stories of gardens are better than none at all…”

first broadcast on Datscha Radio Berlin, a 5-days radio-festival from a Berlin allotment garden, August 2017; produced in response to Datscha radio’s open call by radio continental drift

radio continental drift is proud and happy contributing to Datscha Radio in Berlin together with women audio/ radio producers from both sides of the Zambezi and beyond, namely Zubo Trust in Binga, Zimbabwe and Zongwe FM in Sinazongwe, Zambia; DJ Kwe joins the all-female radio-gardeners team from Canada with her music, excerpts from the inspiring Album “Radio Remixes Voices of Binga”.

Margaret Munkuli and Lucia Munenge recorded songs and stories of elders in their communities about their life at the Zambezi before the forced resettlement displacing the Tonga people for the construction of Kariba Lake. The old ladies still danced and played Chilimba at the Zambezi, as they themselves tell, and they could shout across the river to their relatives on the other side; water for gardening was no problem…

DJ Mo and DJ Petty Young took many of these recordings on-air at Zongwe FM relating voices and stories from the Binga community to the Tonga community on the Northern shore of Kariba Lake thus, joining the now divided people in radio community. Radio continental drift joins the dots in the radio piece with bits of narration in English and German to invite further listening communities along on the journey. DJ Kwe’s beats lifts our voices to danceable teachings.

You can even follow our journey to Tonga gardens on the sound maps of aporee radio where you’ll find all the original recordings. 

Enjoy the listening. And have a nice day in the garden!

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Buy the Album “Radio Remixes Voices of Binga”

In purchasing the Album “Radio Remixes Voices of Binga”, you’ll support the healing arts of DJ Kwe and the work of women for women across the globe. From the online sales, 50% of proceed go to project work with women in Binga via Zubo Trust and Basilwizi Trust. Twalumba look! Thank you for your support!

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Dance of carrots and baobab with stories of gardens and Tonga-song-remix by DJ Kwe performed to link and honour the women of Zubo Trust in Binga, Datscha Radio in Berlin, “Radio Remixes Voices of Binga” by DJ Kwe in Canada and Apocalypso Now, a performance party hosted by Alma Tischler Wood and John Wood at Lewisham Art House in London on 25 August 2017.”

radioart106fm : women artists 4 women artists

2017/09/12

Now archived for your Listening on mixcloud! many thanks to Meira Asher for an inspiring exchange and radio-active continuation of “sonic cross-cultural exchange of women artists” from both sides of the Zambezi and beyond !

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featuring i.a.

Virginia Phiri, Eunice Mwiinde, Zubo Trust, Mavis Moyo, Chipata DMI Women, Sithandazile DubeRuvimbo TengaPenny YonEsnart Mweemba, Viola Mwembe, Barbara Mudimba, Abbigal Mumpande, Janet Mwiinde, Luyando Muyalali, soneni Sonny Gee Gwizi,  Annie Mpalume, Chiwoniso, Thandanani Women’s Ensemble, Claudia Wegener, Knut Aufermann, Mobile Radio ; and remixes by Inge van den KroonenbergDixie TreichelGaël Segalen, Antye Greie, Barney Spigel, Bass Oratory, Dinah Bird, Sarah Washington, Felicity Ford , Valerie Vivancos, radio continental drift

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Radio Sisters Resources

2017/06/01

Let me introduce here two radio projects by women artists which both maintain resourceful online archives much worth a visit – be it that you are looking for inspiration or researching material. radio continental drift recently had the pleasure working with Meira Asher and Radio Art 106 FM and with the Radio Papesse, that is Carola Haupt and Ilaria Gadenz.

Meira Asher’s weekly show explores radiophonic work of radio artists worldwide and is transmitted by KolHaCampus106FM in Israel. Meira went for a listening dive into the archive of radio continental drift and came up presenting a beautiful show of original recordings and remixes of/ for “The Women sing at both sides of the Zambezi”. The show paved the way to Meira’s March-Season highlighting work by women artists and producers. I can highly recommend a dive into the archive of Radio Art 106 FM.

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Radio Papesse recently called for the symposium Süden Radio – Listening South – New geographies of SoundOne of the topics discussed among radio practitioners during the symposium was the question of archiving, use and access to project archives such as that of Radio Papesse. Radio Papesse is based at Florence’ Villa Romana and runs an open online audio archive and a platform for events focusing on sonic dimensions of contemporary cultures.

radio continental drift contributed with a sound piece to the archive, a presentation and listening session. You can listen to all the presentations for Süden Radio at Radio Papesse Archive. You may also access the paper by radio continental drift in print on academia.edu

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Both radio projects are members of Radia – a network of stations presenting “new and forgotten ways of making radio” also maintaining a huge archive of artist’s radio work.


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