Archive for the ‘Call for Contributions’ Category

Radio-Bridge (pre-release)

2018/04/20

Together with the team of radio-makers at Sinazongwe Community Radio, Zongwe FM and the women of Zubo Trust in Binga, we are proud and happy launching a special pre-release track, remix gift by DJ Kwe to the forthcoming compilation “Radio-Bridge across the Zambezi”.

A compilation of 24 tracks by more than 50 contributors from 17 countries is awaiting you.

Enjoy the listening and Stay Tuned!

All proceeds from the compilation’s online sales will benefit radio-makers in training both side of the Zambezi. Twalumba loko, thank you! for your resonant solidarity!

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Hear and support fair_play 2

2018/03/30

We are proudly part of fair_play 2, hand-in-hand with our co-ZuboTrust-sister Chiza Mwindi, amazing “storyteller of rocks” from a place at the Zambezi called Binga, now climbing academic ladders elsewhere ! For the music we gratefully acknowledge Alan Dunn and his “Breaking the Sound Barrier” project.

The second Fair_Play compilation brings together 80 works by 90 female identifying or trans artists not only from French speaking countries but also from India, Tasmania, Syria, Brazil, Egypt, Estonia, Denmark, Sweden, Germany, Austria, USA, UK, Australia, Spain, Canada, Czech Republic, Mexico, Argentina, Ireland, Italy, Poland, Zimbabwe, China, Morocco …

The proceeds of this compilation, go towards building visibility and distribution tools for the artists, such as a website, events, a label.

RADIO BRIDGE open call to artists

2018/02/13

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Open Call to Artists to contribute Remixes, Sound-and Radio pieces for

A RADIO BRIDGE ACROSS THE ZAMBEZI

with a compilation

to be released on Bandcamp in April

in support of Zongwe FM and radio-makers both sides of the Zambezi

Contributions will feature in live broadcasts on Zongwe 105.0 FM and international radio stations

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explore and use the call-out playlist for your remixes and radio-work:

https://archive.org/details/RADIO_BRIDGE_open_call (I)

https://archive.org/details/RADIO_BRIDGE_open_call_503 (II)

 

Please send your contribution via wetransfer to theairisfree4u@gmail.com; WAV 44/16 audio file; include a text file with: title of track, duration, artist’s name, 3 lines of bio and link; 3 lines about your contributions; photo/images 300 dpi. ;

closing date: 21. March 2018

download the call-out and playlist details

 

Hallo Listeners, Artists, Radio Activists,

In June, radio continental drift will rejoin sound-recordists and radio-makers both sides of the Zambezi for a training- and broadcast project over several months. A special playlist now invites you to join us on the journey by listening. The playlist introduces you to sounds and voices of the Zambezi Valley in Binga, Zimbabwe, and across Kariba Lake, in Sinazongwe, Zambia.

Together with the team of radio-makers at Zongwe FM and the women of Zubo Trust in Binga, we are calling on artists to contribute with remixes, sound- or radio pieces to our live broadcasts on Zongwe FM. Explore and use the call-out playlist for your remixes, as an entry-point to our online archives, and for inspiration to introduce us in remix to the sounds and voices in your daily life.

Resulting remixes, sound- and radio-pieces will be presented and released as a Compilation on Bandcamp in April. All proceeds from sales will benefit radio-makers in training both side of the Zambezi.

Twalumba loko, thank you! for your resonant solidarity!

 

The rural communities both sides of the Zambezi speak one language, ChiTonga. The BaTonga lost their ancestry land at the Zambezi when the valley was flooded to construct Kariba dam and lake in a huge colonial, World-Bank financed project at the end of the 1950. The Tonga people had to undergo the traumatic experience of forceful removal and resettlement. While the benefits of Kariba bypass most of the rural communities till today.

After 60 years of struggle, the Valley Tonga people have a story to tell about cultural survival, creative resilience and determination for self-help and self-organisation; and this is what you’ll hear across all the archived recordings which are featured in excerpt in the call-out playlist.

Zongwe FM in Zambia was set up in an initiative of local and international, community- and radio- activist organisations to bridge the communication between the divided Tonga communities; while across the lake in Zimbabwe, community radio stations have still not been licensed. Currently, the signal from Zongwe’s transmitter is still only hardly making it across Kariba. Efforts are ongoing to advance the station’s technical set up for direct broadcast next year.

Your contributions will uplift our work to radio-bridge communication across the Zambezi and join us in communal listening even with people in other parts of the world ! Twalumba maningi !

 

“Stories of Gardens…” on Datscha Radio

2017/09/13

dance_of_baobab_n_carrots3_2017rcd

Stories of gardens are better than none at all…”

first broadcast on Datscha Radio Berlin, a 5-days radio-festival from a Berlin allotment garden, August 2017; produced in response to Datscha radio’s open call by radio continental drift

radio continental drift is proud and happy contributing to Datscha Radio in Berlin together with women audio/ radio producers from both sides of the Zambezi and beyond, namely Zubo Trust in Binga, Zimbabwe and Zongwe FM in Sinazongwe, Zambia; DJ Kwe joins the all-female radio-gardeners team from Canada with her music, excerpts from the inspiring Album “Radio Remixes Voices of Binga”.

Margaret Munkuli and Lucia Munenge recorded songs and stories of elders in their communities about their life at the Zambezi before the forced resettlement displacing the Tonga people for the construction of Kariba Lake. The old ladies still danced and played Chilimba at the Zambezi, as they themselves tell, and they could shout across the river to their relatives on the other side; water for gardening was no problem…

DJ Mo and DJ Petty Young took many of these recordings on-air at Zongwe FM relating voices and stories from the Binga community to the Tonga community on the Northern shore of Kariba Lake thus, joining the now divided people in radio community. Radio continental drift joins the dots in the radio piece with bits of narration in English and German to invite further listening communities along on the journey. DJ Kwe’s beats lifts our voices to danceable teachings.

You can even follow our journey to Tonga gardens on the sound maps of aporee radio where you’ll find all the original recordings. 

Enjoy the listening. And have a nice day in the garden!

Sikalenge 2017-03-07 at 23.30.33

Buy the Album “Radio Remixes Voices of Binga”

In purchasing the Album “Radio Remixes Voices of Binga”, you’ll support the healing arts of DJ Kwe and the work of women for women across the globe. From the online sales, 50% of proceed go to project work with women in Binga via Zubo Trust and Basilwizi Trust. Twalumba look! Thank you for your support!

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Dance of carrots and baobab with stories of gardens and Tonga-song-remix by DJ Kwe performed to link and honour the women of Zubo Trust in Binga, Datscha Radio in Berlin, “Radio Remixes Voices of Binga” by DJ Kwe in Canada and Apocalypso Now, a performance party hosted by Alma Tischler Wood and John Wood at Lewisham Art House in London on 25 August 2017.”

Swedish Radio features Remixes

2016/02/14

Sonic Cross-cultural exchanges 1

We are delighted about the announcement by Lisa Wall​, producer at Swedish National Radio, that the playlist of “Sonic cross-cultural exchanges” will feature in the Elektroniskt i P2​ show on Sunday 21st February 2016, CET 20:00.

The playlist features work by the following artists:
Sarah Washington (Germany, UK) – Annie Mpalume​ (Zimbabwe)
Gaël Segalen​ (France) and Pamela Kenmoé (US) – Chiwoniso Maraire; Linda Gabriel​; Ruvimbo Tenga​ (Zimbabwe); Zambia Popular Theatre Alliance (ZAPOTA)
DJ Kat Bpm​ (UK) – Soneni Sonny Gee Gwizi​; Virginia Phiri​ (Zimbabwe)
Felicity Ford​ (UK) – Esnart Mweemba​ (Zambia)
Patricia Walsh (UK) – Joyce Jenje Makwenda​ (Zimbabwe)
Dixie Treichel​ (US) – Mavis Moyo (Zimbabwe)
Dinah Bird​ (France) – Mavis Moyo (Zimbabwe)
Valerie Vivancos​ (France) – Mavis Moyo; Thandanani Women’s Ensemble (Zimbabwe)
Jordan Thomas​ (Canada) – Mulenga Kapwepwe (Zambia)
Luiza Schulz (Brazil, Austria) “Pontos de Escuta”
Antye Greie (Finland) – Ruvimbo Tenga (Zimbabwe)
Donna Maya​ (Germany) – Soneni Gwizi (Zimbabwe)
Danny Thompson​ (UK) – Soneni Gwizi; Virginia Phiri; Thembi Ngwabi (Zim.); Petronella Mkandawire​ (Zambia)
Anna Stereopoulou​ (Greece) – Virginia Phiri (Zimbabwe)
Sirpa Jokinen​ (Finland) – Virginia Phiri (Zimbabwe)
Inge van den Kroonenberg​ and “the Genetic Choir​” (Netherlands) – Virginia Phiri (Zimbabwe)
Additional:
DJ Xyramat [special remix for her radio show on Freies Sender Kombinat​ dedicated to the playlist on 8 May 2015]
Radio Continental Drift “Zambezi Women Call-out” (initial sonic call-out) Nov.2014

 

Lisa Wall, producer of the Elekctroniskt, a radio show dedicated to sound art, electronic  and electroacoustic music wrote to us:

“…We think this is a wonderful project – but even more important – it’s really good music! We are very much looking forward to introducing it to our audience. Please feel free to like our page and/or get in touch with me/us if you want to participate with more music – we are always listening for new wonderful stuff from around the globe.”

 

CIRCE’s feast for ears and eyes

2016/01/07

 

Anna Stereopoulou, Athens’ composer and founder of CIRCE the Black Cut project has published a richly beautiful AV report of CIRCE’s events in Athens, 19 – 22 December 2015.  

The exhibitions, concerts, listening events and broadcasts were the celebratory Finale of an exciting joint journey which began in August 2015 with CIRCE’s call for remixes on the subject of “Bees” and radio continental drift’s call-out “The Women of the Great River”.

 

 

Here I just pull together a few AV quotes from Anna’s report for you as a teaser to go on your own stroll across the resources of Anna’s pages. The two images include visual remixes to “The Women of the Great River” by Alma Tischler Wood and Agness Buya Yombwe.

The opening event on 19 December saw the release of the “CIRCE Family” Album 2015, called VOX [voice; out/ cry]. The Album gathers all remix-responses to the two sister-call-outs by 46 international artists of 15 countries in 28 tracks to One Voice “VOX” (as Anna’s subtitle poignantly suggests).

 

 

VOX invites us on an adventurous journey of listening in which Bees and BaTonga Women will be our guides. As they sing of the micro-cosmos, which is home to them, they allow us unknown glimpses of Cosmos at large and surprising, sometimes painfully familiar perspectives on our-selves and, “our” “World”.

 

 

Remixes are natural; will say, our audio remixes only echo the movements of Nature as it lives, breathes, survives, acts and communicates in ever new remixes of it’s resources – given “We”/ “Man”/ “the human animal” doesn’t grossly interfere in the Cosmos (=order)…

Lisa Greenaway’s remix of the “CIRCE Family” Album VOX gives another beautiful resonance space to the breath of “natural remix”…

 

 

Listening recommended !

Remixes to “The Women of the Great River”

2015/12/31

 

As remix artists and storytellers, we join hands with our sista artists and storytellers elsewhere, in dedication to the art of listening and, to a shared vision of opening new resonance-space for yet unheard voices and communities in the so called “global information age”.  

Below on this blog, you’ll find eight chapters of thematic introductions to all the 18 remix contribution the “the Women of the Great River”: from “Tonga Anthem in Remix” to “Audio Journey through Binga”. Alternatively, you can brows for names of artists and related footage recordings here.

 

Tonga Anthem in remix

 

The playlist of all audio remixes to “The Women of the Great River” can be downloaded here [16 mp3 files, 108MB]

Women Empowerment

 

Audio/ Radio/ Arts

for consciousness building among global listeners.

 

Album 5

 

We received 18 contributions by 16 artists of 11 countries; 15 sonic remixes by 14 contributors; two further contributors responded in a visual remix. A warm thank-you to all the contributing artists.

 

Screen Shot 2015-11-28 at 00.04.21

Screen Shot 2015-11-28 at 00.04.28

 

On invitation of Athens composer, Anna Stereopoulou, we were partnering on this journey with CIRCE The Black Cut project. The resulting CIRCE Family Album VOX can be found now, for free download, HERE.

 

Colonial divide-and-rule stories in remix

 

Remix to VOX by LAPKAT aka DJ and Radio Maker Lisa Greenaway

 

Album 3

 

 

The fire of listening unites!

 

 

Passing on stories in remix

0 album 2

v o x : circe family work ~ 2015

2015/12/20

Join around the fire of storytelling and share the light of listening!

Release of the CIRCE Family Album

The Album VOX was released by 7MNS Music on 21st December 2015 and is available for free download under creative commons license [CC BY-NC-SA] here:

https://sevenmoons.bandcamp.com/album/vox-ref-025

46 Artists ~ 28 Tracks ~ 15 Countries
1 Voice

VOX [Voice; Sound; Call; Outcry] was compiled by founder of “CIRCE The Black Cut”, the Athens composer, Anna Stereopoulou. VOX consists of 28 tracks composed by the participants of CIRCE, as well as by the artists who responded to “The Women of the Great River” call-out /playlist of radio continental drift; guest project of this year.

A warm thank-you to Anna Stereopoulou, and to all the artists, producers and supporters in and around CIRCE for the beautiful opportunity of this joint journey on board of CIRCE The Black Cut !

radio continental drift

 

V O X a Family Album of the « c i r c e :the black cut: » project released on 7MNS Music 46Artists ~ 28Tracks ~ 15Countries 1Voice

Source: v o x : circe family work ~ 2015

Tonga Anthem… in remix

2015/12/18

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“…The River is for the Tonga people.

The river has fish and crocodiles…  

Our ancestors are ‘crying’…”

 

The above lines came via a quick text message from Michito Veronika, Zubo Trust’s communications officer, currently in the Netherlands, completing her MA dissertation. I had sent her the link to a recording asking whether the song following the Zimbabwe National Anthem was perhaps a kind of Tonga Anthem. “…oooh very nice. you have just made me miss home…,” Michito wrote and added the lines above in translation.

Listen to the recording here:

 

Award ceremony at Damba Primary School 2012

 

“The Tonga lost their land with the coming of Kariba but they have managed to retain much of their rich cultural heritage…”

Keith Goddard writes in his article “one man one note” (2005)

 

The recording of the Tonga Anthem was made in 2012, when I accompanied members of Basilwizi Trust  to an award ceremony at Damba Primary School. Damba is a tiny village, off the main road, in the bush-land near Manjolo.

 

All Africa Sound Map - Damba Primary

 

Together with Sihle Ndlovu, we recorded a number of interviews with women, in English and in ChiTonga and documented almost the entire award ceremony in Damba with recordings. Some clips from that day’s interviews are included in the call-out playlist such as by the young reserve teacher Florence Munsaka, and a Tonga song by Mary Munsaka, mother of one of the pupils.

Some soundscape recordings from the award ceremony are connected to the All Africa Sound Map like this Welcome Song by the Pupils of Damba to the arriving guests

 

Anthem - Damba ceremony

 

One of our contributors, the DJ Audio Storyteller, Crystal DJ Kwe Favel deeply identified with the stories, songs, sounds and voices she heard from the “The Women of the Great River”. Starting with the call-out playlist, DJ Kwe got on a journey of listening across many of the footage recordings from radio continental drift’s 2012 visit to Binga… a journey of listening which is still continuing as we speak and, will lead, so DJ Kwe, to an entire Album of her music dedicated to the Voices of Binga she heard…

The first track of her forthcoming Album however, Crystal DJ Kwe Favel is releasing already, here and now, contributing it as free-for download to “The Women of the Great River” call-out and CIRCE The Black Cut project/ Family Album. In her remix-contribution, DJ Kwe included two of the soundscape recordings of the Damba Award Ceremony, the Welcome Song of the Damba Pupils to arriving guests and, the BaTonga Anthem.

DJ Kwe (pronounced DJ Kway – means DJ Woman) is an Aboriginal Woman from the Cree & Metis Nation of Squamish, British Columbia, Canada.

 

 

Describing the samples used in the track, DJ Kwe writes:

  • Flutes – Indigenous to Native Canada/Turtle Island – Voices of our People – Sharing the Love
  • Frogs – symbol of transformation – recorded here on Native land. Frogs are Elders. Frogs live the balance between two worlds that often collide.
  • Damba Primary School Students – Welcome/Greeting Song – Special Tonga Anthem
  • Indigenous Girl Trill – Call for audio warriors to unite.
  • Tribal Drums – A common journey we share beyond the physical land.
  • House Beats – Electronica – a connection, a platform, a foundation to greet the world.
  • Synths – Inspire the world, together! Represents strength and power of positivity through nations across Mother Earth.

 

Damba ceremony gathering2

 

DJ Kwe writes about her contribution and motivation of her music:

“Our Native community is resilient; we have overcome slavery, displacement and documented genocide. It is in our blood to share our stories and oral tradition through audio. That is why it’s very important to introduce digital audio storytelling as another method to preserve our traditional stories and oral traditions. As we rebuild our family structures and heal from the generations of abuse, we are reconnecting through the use of modern tools. It is my goal to repair the hearts of my community through my music and writing. This is a motivational movement through electronica to reach for the stars, regardless of race.”

 

Announcement of DJ Kwe's forthcoming Album dedicated to Voices of Binga

 

The Album will be released on DJ Kwe’s own record label, Wax-Warriors-Records, in March 2016.

 

Siachilaba Baobab

 

“The People of the Great River”: The BaTonga are descendants of those who were forcefully removed from their fertile land at the Zambezi by the British Colonial Government in the 1950s. They had to escape into the arid, higher regions both sides of the Zambezi valley where agriculture is almost impossible. The land of their ancestors is now at the bottom of the Kariba Lake. Even after independence, water and electricity from the dam bypasse them serving others in the country. “Having lost everything, their culture survives strongly as a driving force of self-assertion, resilience and development.”

For information please also see some of the related websites:

Zubo TrustBasilwizi TrustMulongaKunzwana TrustTonga OnAirAustrian Zimbabwe Friendship Association

Passing on stories… in remix

2015/12/16

“It’s not just as if everyone is blowing their horns at any time; there’s a pattern and you can hear the pattern going and coming…

…one song for example is about a blind man, who went to Hwange in the year of hunger; he worked very hard and did very well and people got jealous of him, put poison in his beer and he died… – that’s the background story – even the small kids know the story…; but the lyrics are, ‘he drank the beer and he died’…

How’s this for passing on stories…?!

Penny Yon

 

 

Fascinated by the ways of passing on stories in lyrics, music and festivals in the BaTonga culture, three of the contributors to “The Women of the Great River” home in on Penny Yon’s and Esnart Mweemba’s descriptions of Tonga Music in clips 39 – 43 of the call-out playlist: The London-based painter, Alma Tischler Wood; the radio DJ and graphic artist, Terry Humphrey aka Trunkstore Arts, also from London; and the Austrian sound- and radio engineer and stage manager, Marcus C. Diess aka “Macussi” (his Tonga name).

 

'he drank the beer and he died" , painting/ digital print by Alma Tischler Wood

 

“he drank the beer and he died” – title of Alma Tischler Wood’s visual remix and, the lyrics of a Tonga song which Penny Yon introduces to us in clip 43 of the call-out playlist.

Alma Tischler Wood writes about her contribution:

‘I created digitally a pattern on the computer whilst listening to THE WOMEN OF THE GREAT RIVER (2) by radio continental drift. I was particularly impressed and amused by the subtle layers and rhythms of No. 43, Penny Yon’s Passing on Stories (…) I will create a painting (perhaps a series of paintings) of the pattern you can see on screen.’

A lyrics like “he drank the beer and he died” would be accompanied by a serial type of music, audio patterns as Penny Yon describes it, whereby drums beat the rhythm and the horns are each playing one note only and yet joining together in a musical pattern and composition – while the players would be at once dancing, sometimes running around, and the whole community being in motion…

A sample of BaTonga “Ngoma bontibe” music can be found on the Mulonga webpage (a composition by Siankwede Bokotela Mudenda; lyrics in ChiTonga/ English on the page, recorded in Siachilaba 1997, performed by the Simonga group); listen here

 

Lwiindi - photo M.C.Diess 2013

 

 

"BASKET" painting by Alma Tischler Wood

 

“…there’s a pattern and you can hear the pattern going and coming…”

Alma’s abstract composition seems to me working in a very similar way and manner. A pattern of same-size triangles in shades of grey tones (let’s say, the drums, “bontibe”) and primary colours (say, the horns, “nyele”) create music in motion before the eye. The triangle, by the way, is a sign and symbol common to many cultures on the continent and often used in decorative patterns such as on drums or on fabrics. The triangle stands for stability and balance.

 

Lwiindi_Speakers_cut - photo Marcus C Diess

 

 

The radio DJ and graphic artist, Terry Humphrey aka Trunkstore Arts in London created “Storyboard” (0:36) in contribution to “The Women of the Great River”. “Rapid listening and editing response,” Terry writes about his remix. The all-vocal piece could well function as a pattern, or a loop for a music, and dance – as it mainly draws on Esnarth’s chant from the Budima Ceremony which she sing as an example while telling about Budima. The piece also includes vocals from Penny Yon, Linda Mudimba, and Janet Mwiinde.

 

Budima - photo Basilwizi Bamulonga

 

Austrian sound- and radio engineer Marcus C. Diess created an intriguing musical encounter of women’s vocals from the call-out playlist and ambient recordings from the Lwiindi Festival, which “Macussi” (his Tonga name!) recorded on his visits to the Tonga community of Sinazongwe, Zambia in 2007 and 2013. In fact, Macussi’s skills were crucial in the establishment (2007) and technical updating (2013) of Zongwe Community Radio, as he was part of a team of community-radio-activists from Austria assisting Zongwe community in these tasks. Hear a broadcast by the station from 2007 about Lwiindi Ceremony.

 

 

Macussi aka Marcus C. Diess writes about his contribution:

“Recordings from my visits in Sinazongwe 2007 and 2013 (the Lwiindi Festival), Downloads from Continental drift . Hope Masike plays the Mbira Loops, the violine is played by Tony Stricker. Both live recorded in Bad Ischl 2014 by myself. Samples of a Kalimba played by me.”   Vocals from the call-out playlist include Penny Yon, Linda Mudimba, Janet Mwiinde, Agness Buya Yombwe, Esnart Mweemba, Barbara Mudimba and Viola Mwembe.

Do watch Macussi’s documentary to learn more about Zongwe Community Radio and the Lwiindi Festival of the Zambian Tonga in Sinasongwe. The first half of the film tells the story of Zongwe Community Radio; the second half, about the Lwiindi festival:

 

 

The film beautifully relates the BaTonga ritual during Lwiindi to go out on a boat on Lake Kariba and fetch water above the ancient Shines of the ancestors – now at the bottom of the lake. The women then carry the water in procession, accompanied by all the musicians with their drums, rattles and horns to the current Shines of the Chiefs male and female ancestors and share the water – together with locally brewed beer over the sacred burial grounds.

“The Tonga lost their land with the coming of Kariba but they have managed to retain much of their rich cultural heritage. The major threat has been the coming of some missions which preach that ngoma bontibe is of the devil. If these missionaries are to get their way and the Valley tonga are to stop performing their music, the Valley Tonga will finally have had everything stripped from them – even their unique cultural identity.”

For more about Tonga music, you may read the articles on the website of “Kunzwana”. I highly recommend the article by Keith Goddard “One man one note” from which the above quote is taken.


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