Posts Tagged ‘audio archive’

A recording by a woman from Binga represents the continent on-air

2017/04/03

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It was a recording by Lucia Munenge from Sikalenge Ward in Binga, which got to represent (sounds from) the African continent on a WDR3 “open sounds” programm recently: “The Sound of the World” on the field recordings platform radio aporee:::maps. You can find Lucia’s recording on aporee maps here

Sikalenge2 2017-04-03 at aporee

Lucia’s recording was the only recording from the African continent played in the radio show, all other 33 listening samples from the aporee sound maps originated on the other continents. The radio show was dedicated to the aporee radio project by German artist Udo Noll, to its sound maps and audio recordings, which are contributed by listeners from around the world (at the time of this post, 37493 recordings of 32649 places by 1421 contributors with a total audio length of more than 90 days)

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Lucia Munenge is one of Zubo Trust’s six community based facilitators who were trained during the radio project “Women documenting women stories” last year. In her recording Lucia sings a song in ChiTonga composed by the Sikalenge Women’s Forum which tells the story of Zubo Trust and the “zubo” (traditional basket of Tonga women for fishing). She also comments in English on the meaning of the song.

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Sikalenge4 2017-04-03 at aporee

Here, in English translation, the relevant excerpt from the radio show’s transcript:

From the satellite perspective, the point pattern (of audio recordings) reveals where contributors are particularly active and, of course, those regions which are largely undiscovered acoustically. Most of the recordings, around 20,000, were recorded in the European countries. Quantitatively top performer, however, is Taiwan with around 6000 recordings alone! The northern and southern regions on the outskirts or outside the habitable zones, as well as the African continent, are acoustically scarcely explored. The project Radio Continental Drift by the London-based artist Christina Wegener (kkkkk…!) wants to remedy this situation and make the people of Africa audible. Radio Continental Drift does this by collecting interviews, stories and songs or by documenting workshops. “Women documenting women stories” is the name of a project with Zubo Trust in Zimbabwe, an organization that provides educational programs for women. In the following recording of July 26, 2016, Lucia Munenge sings and comments about ZuboTrust in a recording she has made herself.

Sound example 8

Lucia Munenge, Zubo is bringing women together …”

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Zubo Women Audio Collection 2016

2017/03/08

Zubo Staff and CBFs

For International Women’s Day 2017, joining women’s celebrations around the world, Zubo Trust and radio continental drift are proudly launching “Women documenting Women Stories”, an audio collection of more then 50 recordings produced by Zubo women, in particular the six community-based facilitators of Zubo’s Women Forums in Sikalenge (Lucia Munenge), Siachilaba (Julia Mumpande), Chinonge (Eunice Mwinde), Kariyangwe (Regina Munkuli), Manjolo (Margaret Munkuli) and Simatelele (Ottilia Tshuma).

Access the Archive

Zubo Docu workshop Women Stories8

The recordings are mainly in the indigenous language ChiTonga. We’ve made an effort adding introductions in English in the texts on the archive pages and sometimes the women even recorded summaries in English.

Follow our steps listening in situ on radio aporee sound maps

a Binga map in sound -Zubo Trust Binga 2017-01-02

With our recordings, we’d hope to reach out firstly to ChiTonga speaking communities, both sides of Lake Kariba or elsewhere, and especially to our sistaz, old and young. We’d wish that the present project and its audio collection may become, in time, just a beginning of local audio = listening research among the BaTonga women. There are so many stories, so much knowledge and wisdom among the women still waiting to be found, investigated and documented…

Zubo Docu workshop Women Stories6

We hope that listeners from further afield will also enjoy our recordings and, in listening, enjoy following us into our communities, culture and every-day lives. We’d wish that the publication of the collection will encourage organisations and communities, locally and internationally to engage in similar activities of collective research; and, that we may hear from you and your experiences… you are most welcome contacting us or joining the conversation on FB.

Thank you for listening!

workshop women stories

“Encouraging other women to speak out…!” Caven Mugande interviews Margaret Munkuli about her experience and how she felt making interview recordings in her own Manjolo community. Mugande is Zubo Trust Project Officer; Margaret is one of the six women facilitating local Women’s Forums who were taking part in the audio media training.

Tonga women on the way to their own media production

2017/02/07

From April – November 2016, Zubo Trust joint forces with radio continental drift/ Claudia Wegener to train Zubo staff and six community based facilitators (CBFs) in audio recording and production.

“Women documenting Women Stories” is the name of the task and the radio project with Zubo’s women.

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The playlist of recordings from the workshop days can document a bit of the journey, which we traveled together in exploring the use of audio recorders among the women Zubo is working with in rural Binga. The playlist showcases a selection of our recordings over three days together, and does so in footage recordings, including our trials to say what we mean, and our giggles.

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On the journey, which you can follow in the recordings, we practiced listening, to others, in interviews and, to ourselves; we explored storytelling and the power of detailed description on a listener; we learned how to talk with machines and how to listen carefully to their playback; we explored the tools of communication, how to encourage our counterparts to enjoy themselves in storytelling; we discussed where we come from and where we wish to go to, or not to go to… ; we practiced translation, listened to the strange sounds of foreign, African languages and, again and again, to the curious sound of ourselves as we speak to others.

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In July, the women went out in to their communities and captured the work of the Zubo’s women in the villages and the Women’s Forum in sound and voices. They also interviewed their elders, mothers and grandmothers, on BaTonga culture, tradition and history.

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The second playlist presents a selection of the recordings which Zubo women themselves made in their local communities and includes some excerpts of statements by the young media women about their experiences as citizen journalists and oral historians in their villages.

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DJ Kwe’s music flies like an acoustic beacon over our journey together with the women of Zubo Trust towards their own media work as young BaTonga business women…

I could stand for my people…” Track 5 of DJ Kwe’s “Radio Remixes Voices of Binga” features Linda Mudimba articulately voicing her wish to represent the Tonga people as a Media Woman (based on a recording by rcd in 2012 ).

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In purchasing the Album “Radio Remixes Voices of Binga”, you’ll support the healing arts of DJ Kwe and the work of women for women across the globe. From the online sales, 50% of proceed go to project work with women in Binga via Zubo Trust and Basilwizi Trust.

Twalumba loko.

Thank you for listening.

Tonga Anthem… in remix

2015/12/18

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“…The River is for the Tonga people.

The river has fish and crocodiles…  

Our ancestors are ‘crying’…”

 

The above lines came via a quick text message from Michito Veronika, Zubo Trust’s communications officer, currently in the Netherlands, completing her MA dissertation. I had sent her the link to a recording asking whether the song following the Zimbabwe National Anthem was perhaps a kind of Tonga Anthem. “…oooh very nice. you have just made me miss home…,” Michito wrote and added the lines above in translation.

Listen to the recording here:

 

Award ceremony at Damba Primary School 2012

 

“The Tonga lost their land with the coming of Kariba but they have managed to retain much of their rich cultural heritage…”

Keith Goddard writes in his article “one man one note” (2005)

 

The recording of the Tonga Anthem was made in 2012, when I accompanied members of Basilwizi Trust  to an award ceremony at Damba Primary School. Damba is a tiny village, off the main road, in the bush-land near Manjolo.

 

All Africa Sound Map - Damba Primary

 

Together with Sihle Ndlovu, we recorded a number of interviews with women, in English and in ChiTonga and documented almost the entire award ceremony in Damba with recordings. Some clips from that day’s interviews are included in the call-out playlist such as by the young reserve teacher Florence Munsaka, and a Tonga song by Mary Munsaka, mother of one of the pupils.

Some soundscape recordings from the award ceremony are connected to the All Africa Sound Map like this Welcome Song by the Pupils of Damba to the arriving guests

 

Anthem - Damba ceremony

 

One of our contributors, the DJ Audio Storyteller, Crystal DJ Kwe Favel deeply identified with the stories, songs, sounds and voices she heard from the “The Women of the Great River”. Starting with the call-out playlist, DJ Kwe got on a journey of listening across many of the footage recordings from radio continental drift’s 2012 visit to Binga… a journey of listening which is still continuing as we speak and, will lead, so DJ Kwe, to an entire Album of her music dedicated to the Voices of Binga she heard…

The first track of her forthcoming Album however, Crystal DJ Kwe Favel is releasing already, here and now, contributing it as free-for download to “The Women of the Great River” call-out and CIRCE The Black Cut project/ Family Album. In her remix-contribution, DJ Kwe included two of the soundscape recordings of the Damba Award Ceremony, the Welcome Song of the Damba Pupils to arriving guests and, the BaTonga Anthem.

DJ Kwe (pronounced DJ Kway – means DJ Woman) is an Aboriginal Woman from the Cree & Metis Nation of Squamish, British Columbia, Canada.

 

 

Describing the samples used in the track, DJ Kwe writes:

  • Flutes – Indigenous to Native Canada/Turtle Island – Voices of our People – Sharing the Love
  • Frogs – symbol of transformation – recorded here on Native land. Frogs are Elders. Frogs live the balance between two worlds that often collide.
  • Damba Primary School Students – Welcome/Greeting Song – Special Tonga Anthem
  • Indigenous Girl Trill – Call for audio warriors to unite.
  • Tribal Drums – A common journey we share beyond the physical land.
  • House Beats – Electronica – a connection, a platform, a foundation to greet the world.
  • Synths – Inspire the world, together! Represents strength and power of positivity through nations across Mother Earth.

 

Damba ceremony gathering2

 

DJ Kwe writes about her contribution and motivation of her music:

“Our Native community is resilient; we have overcome slavery, displacement and documented genocide. It is in our blood to share our stories and oral tradition through audio. That is why it’s very important to introduce digital audio storytelling as another method to preserve our traditional stories and oral traditions. As we rebuild our family structures and heal from the generations of abuse, we are reconnecting through the use of modern tools. It is my goal to repair the hearts of my community through my music and writing. This is a motivational movement through electronica to reach for the stars, regardless of race.”

 

Announcement of DJ Kwe's forthcoming Album dedicated to Voices of Binga

 

The Album will be released on DJ Kwe’s own record label, Wax-Warriors-Records, in March 2016.

 

Siachilaba Baobab

 

“The People of the Great River”: The BaTonga are descendants of those who were forcefully removed from their fertile land at the Zambezi by the British Colonial Government in the 1950s. They had to escape into the arid, higher regions both sides of the Zambezi valley where agriculture is almost impossible. The land of their ancestors is now at the bottom of the Kariba Lake. Even after independence, water and electricity from the dam bypasse them serving others in the country. “Having lost everything, their culture survives strongly as a driving force of self-assertion, resilience and development.”

For information please also see some of the related websites:

Zubo TrustBasilwizi TrustMulongaKunzwana TrustTonga OnAirAustrian Zimbabwe Friendship Association

Passing on stories… in remix

2015/12/16

“It’s not just as if everyone is blowing their horns at any time; there’s a pattern and you can hear the pattern going and coming…

…one song for example is about a blind man, who went to Hwange in the year of hunger; he worked very hard and did very well and people got jealous of him, put poison in his beer and he died… – that’s the background story – even the small kids know the story…; but the lyrics are, ‘he drank the beer and he died’…

How’s this for passing on stories…?!

Penny Yon

 

 

Fascinated by the ways of passing on stories in lyrics, music and festivals in the BaTonga culture, three of the contributors to “The Women of the Great River” home in on Penny Yon’s and Esnart Mweemba’s descriptions of Tonga Music in clips 39 – 43 of the call-out playlist: The London-based painter, Alma Tischler Wood; the radio DJ and graphic artist, Terry Humphrey aka Trunkstore Arts, also from London; and the Austrian sound- and radio engineer and stage manager, Marcus C. Diess aka “Macussi” (his Tonga name).

 

'he drank the beer and he died" , painting/ digital print by Alma Tischler Wood

 

“he drank the beer and he died” – title of Alma Tischler Wood’s visual remix and, the lyrics of a Tonga song which Penny Yon introduces to us in clip 43 of the call-out playlist.

Alma Tischler Wood writes about her contribution:

‘I created digitally a pattern on the computer whilst listening to THE WOMEN OF THE GREAT RIVER (2) by radio continental drift. I was particularly impressed and amused by the subtle layers and rhythms of No. 43, Penny Yon’s Passing on Stories (…) I will create a painting (perhaps a series of paintings) of the pattern you can see on screen.’

A lyrics like “he drank the beer and he died” would be accompanied by a serial type of music, audio patterns as Penny Yon describes it, whereby drums beat the rhythm and the horns are each playing one note only and yet joining together in a musical pattern and composition – while the players would be at once dancing, sometimes running around, and the whole community being in motion…

A sample of BaTonga “Ngoma bontibe” music can be found on the Mulonga webpage (a composition by Siankwede Bokotela Mudenda; lyrics in ChiTonga/ English on the page, recorded in Siachilaba 1997, performed by the Simonga group); listen here

 

Lwiindi - photo M.C.Diess 2013

 

 

"BASKET" painting by Alma Tischler Wood

 

“…there’s a pattern and you can hear the pattern going and coming…”

Alma’s abstract composition seems to me working in a very similar way and manner. A pattern of same-size triangles in shades of grey tones (let’s say, the drums, “bontibe”) and primary colours (say, the horns, “nyele”) create music in motion before the eye. The triangle, by the way, is a sign and symbol common to many cultures on the continent and often used in decorative patterns such as on drums or on fabrics. The triangle stands for stability and balance.

 

Lwiindi_Speakers_cut - photo Marcus C Diess

 

 

The radio DJ and graphic artist, Terry Humphrey aka Trunkstore Arts in London created “Storyboard” (0:36) in contribution to “The Women of the Great River”. “Rapid listening and editing response,” Terry writes about his remix. The all-vocal piece could well function as a pattern, or a loop for a music, and dance – as it mainly draws on Esnarth’s chant from the Budima Ceremony which she sing as an example while telling about Budima. The piece also includes vocals from Penny Yon, Linda Mudimba, and Janet Mwiinde.

 

Budima - photo Basilwizi Bamulonga

 

Austrian sound- and radio engineer Marcus C. Diess created an intriguing musical encounter of women’s vocals from the call-out playlist and ambient recordings from the Lwiindi Festival, which “Macussi” (his Tonga name!) recorded on his visits to the Tonga community of Sinazongwe, Zambia in 2007 and 2013. In fact, Macussi’s skills were crucial in the establishment (2007) and technical updating (2013) of Zongwe Community Radio, as he was part of a team of community-radio-activists from Austria assisting Zongwe community in these tasks. Hear a broadcast by the station from 2007 about Lwiindi Ceremony.

 

 

Macussi aka Marcus C. Diess writes about his contribution:

“Recordings from my visits in Sinazongwe 2007 and 2013 (the Lwiindi Festival), Downloads from Continental drift . Hope Masike plays the Mbira Loops, the violine is played by Tony Stricker. Both live recorded in Bad Ischl 2014 by myself. Samples of a Kalimba played by me.”   Vocals from the call-out playlist include Penny Yon, Linda Mudimba, Janet Mwiinde, Agness Buya Yombwe, Esnart Mweemba, Barbara Mudimba and Viola Mwembe.

Do watch Macussi’s documentary to learn more about Zongwe Community Radio and the Lwiindi Festival of the Zambian Tonga in Sinasongwe. The first half of the film tells the story of Zongwe Community Radio; the second half, about the Lwiindi festival:

 

 

The film beautifully relates the BaTonga ritual during Lwiindi to go out on a boat on Lake Kariba and fetch water above the ancient Shines of the ancestors – now at the bottom of the lake. The women then carry the water in procession, accompanied by all the musicians with their drums, rattles and horns to the current Shines of the Chiefs male and female ancestors and share the water – together with locally brewed beer over the sacred burial grounds.

“The Tonga lost their land with the coming of Kariba but they have managed to retain much of their rich cultural heritage. The major threat has been the coming of some missions which preach that ngoma bontibe is of the devil. If these missionaries are to get their way and the Valley tonga are to stop performing their music, the Valley Tonga will finally have had everything stripped from them – even their unique cultural identity.”

For more about Tonga music, you may read the articles on the website of “Kunzwana”. I highly recommend the article by Keith Goddard “One man one note” from which the above quote is taken.

Mothers of Education and Custodians of Culture

2015/12/09

 

…celebrated in sonic remix by the vocalist-lyricist-composer Ms. Soli Tii in Berlin, artists/ composer Joseph Ba aka BroodingSideofMadness and the music/ poetry duo Asymmetroi Faroi in Greece and, in visual remix by the painter, researcher and art teacher Agness Buya Yombwe, based in Livingstone, Zambia.

 

Album 5

 

These contributions celebrate the important social roles of mothers passing on indigenous culture and knowledge to their children and grandchildren and, ensuring with their hard daily work, often in subsistence farming, a basic education for their children.

 

 

This stands against the dark background of colonialism – of yesterday and today – leaving impoverished communities where education of girl children became a luxury and child marriages are frequent. Additionally, the histories of colonial interference and missionary work on the continent, often left an imprint of patriarchal social structures on post-independent nations; where possibly before, in matrilineal tribes of Southern Africa, women’s rights and economic independence were safeguarded in indigenous tradition.

 

Linda_andSichle_BaslwiziOffice_BingaNov12_rcd

 

The remixes of Joseph Ba and Assymetroi Faroi lend resonance to Linda Mudimba’s “praise song” for her Mum. Linda Mudimba is a student of African languages and Communication at Lupane State University, Zimbabwe (or perhaps she is already working as a journalist writing in ChiTonga – as was her vision…); at the time of the recordings Linda was one of the National Volunteers with Basilwizi Trust in Binga.

 

 

 

From the call-out playlist, Ms. Soli Tii has chosen the voices of two women talking of their mother and grandmother and, something like the love and duty to the culture they inherited through their female elders… Esnart Mweemba (Zambia) talks about her mother’s special art of basket weaving; Simudenda Bertha (Zimbabwe) recounts learning the art of bead-making from her grandmother, now passing it on to her children; she adds an appeal to the Tonga people to value and appreciate their culture. The two tracks could be seen to represent the BaTonga both sides of the Zambezi, one people today separated by the man-made lake of Kariba.

 

 

Ms. Soli Tii herself has started a musical women’s project called the “World Women’s Project”, which as she writes on the website was inspired by “The Women of the Great River”; and is dedicated to the memory of her late mother.

 

red beads on the bed, painting from the Taboo series by Agness Buya Yombwe 2015


I’m delighted presenting the first contribution of an artist from the region to “The Women of the Great River” call-out, Agness Buya Yombwe in Livingstone Zambia. Agness’ paintings are a visual remix to clip 51 in the playlist, a recording in which Luyando and her aunt Janet talk about female initiation rights among the Tonga people in front of related artifacts at the BaTonga Museum in Binga. Here, Janet relates the women’s custom of placing red beads (which she’s usually wearing) on the bed, indicating to her husband that she’s in her menstrual cycle.

A warm thank you to ‪Anna Stereopoulou who created a beautiful page hosting ‪Agness Buya Yombwe art works and, the many stories around the images and source recordings.

In clip 54 of the Call-out playlist, you can hear Agness Buya Yombwe herself talking about her experience of listening to the recordings with Janet and Luyando in Binga.  It was there and then that Agness “promised” making a painting about what she had heard from Janet. 

 

Mbusa teachings - photo Agness Buya Yombwe

 

I played the Binga recordings to Agness, knowing her interest and research about indigenous cultures, and the “Mbusa” (female initiation rights) among the Bemba people in particular. The above photo shows the Mbusa teachings in process at Wayi Wayi Gallery’s permanent Mbusa installation room.

A Visual Artist, designer and art teacher from Lusaka, Agness founded and runs Wayi Wayi Art Studio & Gallery with her husband, the painter Laurence Yombwe, in Livingstone, Zambia.

 

Wayi Wayi on Aporee Maps

Colonial divide-and-rule stories… in remix

2015/12/04

 

“…I’m also fascinated by the Tonga people because they are marginalized like I am…”  (Penny Yon)

 

Zim flag Tyunga School

 

The remix by sound-artist Inge van den Kroonenberg transports Penny Yon’s story of a “mixed race” Zimbabwean to another level and, “extracts” the painful awakening of the people after independence that Colonialism was not over, but in fact continuing in new guises… – though, at least in Inge’s evocative remix, there’s a “tongue in cheek” too; things are never one-dimensional… Coffee may be one of the first and major goods extracted by European colonialists from the African continent – the noises of coffee-making sound like an explosion to a nearby microphone, carrying the history of an ongoing colonial exploitation…; but, “the ritual of coffee-making is bringing people together” to tell their stories…

 

 

Inge van den Kroonenberg writes about her remix:

“I put the original voice recording on microcassette and mixed it with my coffeepot coming to a boil. By moving the microphone and tape deck around the stove the sounds of voice, tape, gas and boiling coffee blend together in a distorted murmur. I choose these particular sounds and the social/economical/political issues they are linked to; gas extraction, transportation of coffee beans and (the history of) colonization as a situation that is still ‘boiling’. But I also wanted to refer to the ritual of coffee making and how it brings people together to share thoughts and conversation in an intimate and familiar way.”

 

Inge’s remix also resonates, to my ears, with the sounds of radio communication.. even Morse code at the start of the piece… and again, as with the sounds of coffee-making, there is a double edge to the history of radio broadcasts, as a tool of oppression, or one of liberation…

 

Zongwe FM in Sinazongwe Zambia - photo M.C.Diess

 

Zongwe Community Radio, a Zambian station across the Kariba Lake broadcasting into Zimbabwe since 2013 supported by Panos Southern Africa, Basilwizi Trust and the Zimbabwe Austrian Friendship Association. So the people in Binga can now hear programmes in ChiTonga broadcast by their “cousins” on the other side of Kariba Lake. In Zimbabwe itself community radio licenses though existing since 2000 have not yet been granted. The state-broadcaster ZBC occasionally airs programs in ChiTonga, but the radio signals cannot be received in Binga.

 

Geography class in Siachilaba Primary School

 

…we are on the grounds of Siachilaba Primary School in the Binga district of the Zambezi Valley… listening to a geography class under a tree…

a clip from the recording also features in the call-out playlist of “The Women of the Great River”

 

Album 4b

 

 

Audio journey through Binga…

2015/11/28

on route to Binga 2

 

…imagine yourself sitting in one of the local combi-taxies, watching the dry bush-land flying past, and listening to the echo of the women telling about their lives, Tonga culture, the history of displacement, basket weaving and fishing… including also voices from the other side of Kariba Lake, like artist/ researcher, Esnart Mweemba… and Bulawayo painter, Nonnie Mathe telling about her Grandma’s basket weaving and the inspiration of Tonga culture to her art making…

Enjoy the journey of listening!

 

 

Barnaby Spigel, composer/ producer/ DJ from the UK, created this 30 Minutes composition embedding the first 27 clips of the call-out playlist in a beautiful “audio movie”.

 

 

With vocals by:

the musician and arts administrator Penny Yon, student Linda Mudimba; Barbara Mudimba, a basket weaver and Viola Mwembe at Binga Craft Centre (translating Barbara); Mary Munsaka (Tonga Song); the teacher, Florence Munsaka at Damba Primary School; Janet Mwiinde and Luyando Muyalali in front of artifacts at BaTonga Museum in Binga; Abbigal Muleya and Rosemary Cumanzala from the women’s organization ZUBO Trust in Binga; artist and researcher, Esnart Mweemba, who belongs to the Zambian Tonga; Christine Hankwebe (Basilwizi Trust) singing a Weddingsong together with her neighbours, Ester and Mtenda (Zambian Tonga in Bulawayo); and Bulawayo painter, Nonhlanhla Mathe.

Find the original playlist here

 

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Screen Shot 2015-11-28 at 00.04.28

 

Contributions to “The Women of the Great River”

2015/11/17

Mothers_atAwardCeremony_DambaPrimary_BingaNov12_rcd

 

We are delighted presenting here the names of international artists who contributed audio and visual remixes to “The Women of the Great River” call-out. We received 18 contributions by 16 artists of 11 countries; 15 sonic remixes by 14 contributors; two further contributors responded in a visual remix! 

In August 2015, radio continental drift had launched the open call for contributions in response to the newly released playlist “The Women of the Great River” which features “the story” of the Tonga people – a story of displacement, resilience and self-assertion – in the voices of women from Binga, a town and district on the Zimbabwe shore of the Zambezi.

On invitation of Athens composer, Anna Stereopoulou, we were partnering on this journey with CIRCE The Black Cut project.

Thank-you, also, to Anna Stereopoulou for inviting us on board of CIRCE The Black Cut project and initiating this exciting opportunity of joining many journeys and travellers in one moving moment of Listening. Thank you, dear co-travellers on the journey of listening!

radio continental drift/ claudia wegener

Here, now some lists of contributors and contributions; presentations of the contributions shall follow…

 

Contributors of Visual Remixes:

Agness Buya Yombwe, Zambia, “Cooking Taboo” and “Red Beads On The Bed” (feat Janet and Luyando)   •   Alma Tischler Wood, UK, “He drank the beer and he died” (feat Penny Yon)

Contributors of Audio Remixes:

Asymmetroi Faroi, Greece, “My mom” (feat Linda Mudimba)   •   Jürgen De Blonde [aka Köhn], Belgium, ‘It’s going to be dark’ (feat Penny Yon)    •    BroodingSideofMadness aka Joseph Ba, Greece, ‘Heart of Darkness’ (feat Linda Mudimba, ‘My mother’)   •    Crystal DJ Kwe Favel, Canada, ‘Tonga Anthem Remix’ (feat. Damba Students Welcome)   •   Macussi aka Marcus C. Diess, Austria, ’Lwiindi Water Fetching Remix’ (feat Penny Yon, Linda Mudimba, Janet Mwiinde, Agness Buya Yombwe, Esnart Mweemba, Barbara Mudimba and Viola Mwembe)   •   Dixie Treichel, USA, ‘Penny Yon – Southern Skies’ (feat Penny Yon) )   •  Lisa Greenaway aka LAPKAT, Australia, ’Water for the Spirits’ (feat Janet Mwiinde and Luyando Muyalali; Christine Hankwebe, and her neighbours Ester and Mtenda)    •    Terry Humphrey aka Trunkstore, “Storyboard” (feat Penny Yon, Linda Mudimba, Janet Mwiinde, Esnart Mweemba)    •     Sirpa Jokinen, Finland, ‘Rosemary’s Women’ (feat Rosemary Cumanzala)    •    Inge van den Kroonenberg, Netherlands, ‘COLONIAL HANGOVER / coming to a boil’ (feat Penny Yon)     •    Anna Leopolder, Germany, ‘Southern Skies’ original mix (feat. Penny Yon)    •    Ms Soli Tii, Germany/ Uk, ‘My Mums Basket’ (feat Esnart Mweemba) and ‘Simudenda Bertha’ (feat Simudenda Bertha)   •   Barnaby Spigel, UK, ’The Women of the Great River’ (feat clips 1 – 27 of the call-out playlist    •    Yes Afrika Women’s Forum, Germany, Podcast No.5 ‘Women Empowerment’ (feat Rosemary Cumanzala, Abbigal Muleya)

Contributors of the source recordings:

Simudenda Bertha, bead-making artist in Siachilaba, associated to Simonga musicians; Binga, Zimbabwe   •   Rosemary Cumanzala, director of the women’s organisation Zubo Trust in Binga, Zimbabwe    •   Christine Hankwebe, Administrator of Basilwizi Trust, Bulawayo Office, Zimbabwe, and her neighbours Ester and Mtenda (Wedding song)   •   Nonhlanhla Mathe, painter based at National Gallery/ Studios, Bulawayo, Zimbabwe    •    Linda Mudimba, student of African languages and Communication, Lupane State University, Zimbabwe; (earlier National Volunteer with Basilwizi Trust)    •    Abbigal Muleya, linguist, Monitoring and Evaluation Officer of the women’s organization Zubo Trust in Binga, Zimbabwe    •    Florence Munsaka, teacher at Damba Primary School, Binga Zimbabwe    •    Mary Munsaka, Tonga Song, Damba, Binga Zimbabwe    •    Barbara Mudimba, Basket weaving artists, Binga, Zimbabwe    •    Luyando Muyalali, student of African languages and culture at Gweru University    •    Janet Mwiinde, community elder in Damba, Binga district, Zimbabwe   •   Viola Mwembe, sales assistant at Binga Craft’s Centre, Zimbabwe    •   Esnart Mweemba, artist, designer, researcher, educator; previously Choma Museum; Zambia     •    Sihle Ndlovu, Student at Gweru University, Zimbabwe; (earlier National Volunteer with Basilwizi Trust)    •    Pupils of Damba Primary School (2012), Binga, Zimbabwe   •    Penny Yon, musician and arts administrator at Pamberi Trust/ Book Café Harare; Harare, Zimbabwe    •    Agness Buya Yombwe, visual artist, designer, researcher, educator based at Wayi Wayi Studio and Gallery, Livingstone Zambia.

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Go on a journey of Listening on the All Africa Sound Map

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Radio Communities without borders

2015/07/04

An update on the ongoing radio journey of the playlist of “Sonic Cross-Cultural Exchanges” of women artists

In May, Doctore Xyramat, FSK Hamburg, presented the playlist of “sonic cross-cultural exchanges” in her regular 13-hours show, dedicated to the music of female artists. Thanks to Doctore Xyramat, we are glad sharing here an excerpt of her on-air show (34′) which includes some of the remixes by international women artists, some of the original interview clips with women artists from Zambia and Zimbabwe and a telephone interview with Claudia Wegener/ radio continental drift (in German).

Xyramat herself specially prepared a remix for the broadcast involving near to all the clips of the original call-out playlist. Enjoy the listening! Remixes at Radio Chimeres Greece

And, thanks to Anna Stereopoulou and the studio team at Radio Chimeres in Greece, we now even know “The Women Sing at Both Sides of the Zambezi” in the Greek language and alphabet… On May 25, on the occasion of the global celebration of Africa Day, the webradio Chimeres Greece featured the entire playlist of Remixes on-air.


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